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Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。《走戈壁的女人》讲述的是民国时期的事。在茫茫戈壁滩上，一群依靠骆驼运输为生的骆驼客们与一个坚强的女人———寡妇姐，构成了一个个令人悲泣，感触的情节。寡妇姐名叫丢丢，她是个受尽苦难，能吃苦耐劳的女人，她一个人拉扯着三个女儿，并且专门开了一家客店，让骆驼客们有一处安息之所。 而附近一个有相当势力的以卖骆驼为生的男人———骆驼王，他阴险，狡诈，为了钱财不择手段，串通土匪抢夺骆驼客的骆驼、财物，杀死无辜的生命，夺取他人之妻。因为看上了寡妇姐的二女儿二妮（黑娃的妻），他设计害黑娃，竟使二妮成了他的妻子，但只是将她做为自己传宗接代的工具。在特殊的年代，二妮身上体现的只是女性的懦弱，不敢反抗，任由命运摆布。 寡妇姐含辛茹苦带大女儿，面对二妮无法忍受折磨而自杀的悲惨结局，她心痛如割，虽然她不满意大妮同比她大二十多岁的旺叔好，但最终她明白了：只要她自己觉得幸福，一切随她去吧。因此在三妮身上，她毅然让黑娃带着三妮去参加革命，寻找一条新的出路。。出租车司机刘菲是个热情、泼辣的女人。在市场经济转型期的社会中，她一门心思想着多挣钱，以摆脱穷苦的日子。一次偶然的机会她结识了广东来客区沛，两人联手做起了古玩生意。刘菲粗通古瓷，因而挣了一笔。在金钱的诱惑下，为了一尊古铜簋的买卖，刘菲不惜投入全部积蓄，求人举债。不料，区沛与卖主马元、买主齐志勾结做套，骗取刘菲的巨款后便渺无踪影。刘菲陷入绝境，面对债主的追逼，生活的窘迫，她典当了全部首饰细软仍无济于事。在走投无路的情况下，她找到了前夫韩亮。在韩亮的帮助下，刘菲暂时度过了难关。 文物鉴赏家关臣得知情况后，与刘菲一起将古铜簋送到有关部门。经专家鉴定，确认这是一尊价值连城的商代珍品。消息传出，区沛等三个骗子又与刘菲的债主联手盗走了古铜簋。经过一番周折，在警方的侦破下，古铜簋终于又回到了刘菲手中。 通过屡次的波折起伏，刘菲深感生活中在金钱之上更有许多值得珍视的东...。